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Aug. 28th, 2010 01:06 pmInternet! Let's have a poetry party!
I will post some poems, in no particular order, because I like them. And then you can post some in the comments! Or on your own journals. It will be awesome. Everyone loves poetry, right?
Here we go!
The Icelandic Language
In this language, no industrial revolution;
no pasteurized milk; no oxygen, no telephone;
only sheep, fish, horses, water falling.
The middle class can hardly speak it.
In this language, no flush toilet; you stumble
through dark and rain with a handful of rags.
The door groans; the old smell comes
up from under the earth to meet you.
But this language believes in ghosts;
chairs rock by themselves under the lamp; horses
neigh inside an empty gully, nothing
at the bottom but moonlight and black rocks.
The woman with marble hands whispers
this language to you in your sleep; faces
come to the window and sing rhymes; old ladies
wind long hair, hum, tat, fold jam inside pancakes.
In this language, you can't chit-chat
holding a highball in your hand, can't
even be polite. Once the sentence starts its course,
all your grief and failure come clear at last.
Old inflections move from case to case,
gender to gender, softening consonants, darkening
vowels, till they sound like the sea moving
icebergs back and forth in its mouth.
Against Entropy
The worm drives helically through the wood
And does not know the dust left in the bore
Once made the table integral and good;
And suddenly the crystal hits the floor.
Electrons find their paths in subtle ways,
A massless eddy in a trail of smoke;
The names of lovers, light of other days --
Perhaps you will not miss them. That's the joke.
The universe winds down. That's how it's made.
But memory is everything to lose;
Although some of the colors have to fade,
Do not believe you'll get the chance to choose.
Regret, by definition, comes too late;
Say what you mean. Bear witness. Iterate.
Marsh Languages
The dark soft languages are being silenced:
Mothertongue Mothertongue Mothertongue
falling one by one back into the moon.
Language of marshes,
language of the roots of rushes tangled
together in the ooze,
marrow cells twinning themselves
inside the warm core of the bone:
pathways of hidden light in the body fade and wink out.
The sibilants and gutturals,
the cave language, the half-light
forming at the back of the throat,
the mouth's damp velvet moulding
the lost syllable for "I" that did not mean separate,
all are becoming sounds no longer
heard because no longer spoken,
and everyone that could once be said in them has
ceased to exist.
The languages of the dying suns
are themselves dying,
but even the word for this has been forgotten.
The mouth against skin, vivid and fading,
can no longer speak both cherishing and farewell.
It is now only a mouth, only skin.
There is no more longing.
Translation was never possible.
Instead there was always only
conquest, the influx
of the language of hard nouns,
the language of metal,
the language of either/or,
the one language that has eaten all the others.
Song
You're wondering if I'm lonely:
OK then, yes, I'm lonely
as a plane rides lonely and level
on its radio beam, aiming
across the Rockies
for the blue-strung aisles
of an airfield on the ocean.
You want to ask, am I lonely?
Well, of course, lonely
as a woman driving across country
day after day, leaving behind
mile after mile
little towns she might have stopped
and lived and died in, lonely
If I'm lonely
it must be the loneliness
of waking first, of breathing
dawn's first cold breath on the city
of being the one awake
in a house wrapped in sleep
If I'm lonely
it's with the rowboat ice-fast on the shore
in the last red light of the year
that knows what it is, that knows it's neither
ice nor mud nor winter light
but wood, with a gift for burning.
Dialogue
She sits with one hand poised against her head, the
other turning an old ring to the light
for hours our talk has beaten
like rain against the screens
a sense of August and heat-lighting
I get up, go to make tea, come back
we look at each other
then she says (and this is what I live through
over and over) — she says: I do not know
if sex is an illusion
I do not know
who I was when I did those things
or who I said I was
or whether I willed to feel
what I had read about
or who in fact was there with me
or whether I knew, even then
that there was doubt
about these things —
The Sacred by Stephen Dunn
After the teacher asked if anyone had
a sacred place
and the students fidgeted and shrank
in their chairs, the most serious of them all
said it was his car,
being in it alone, his tape deck playing
things he’d chosen, and others knew the truth
had been spoken
and began speaking about their rooms,
their hiding places, but the car kept coming up,
the car in motion,
music filling it, and sometimes one other person
who understood the bright altar of the dashboard
and how far away
a car could take him from the need
to speak, or to answer, the key
in having a key
and putting it in, and going.
The Fish
The first fish
I ever caught
would not lie down
quiet in the pail
but flailed and sucked
at the burning
amazement of the air
and died
in the slow pouring off
of rainbows. Later
I opened his body and separated
the flesh from the bones
and ate him. Now the sea
is in me: I am the fish, the fish
glitters in me; we are
risen, tangled together, certain to fall
back to the sea. Out of pain,
and pain, and more pain
we feed this feverish plot, we are nourished
by the mystery.
The Sciences Sing a Lullaby
Physics says: go to sleep. Of course
you're tired. Every atom in you
has been dancing the shimmy in silver shoes
nonstop from mitosis to now.
Quit tapping your feet. They'll dance
inside themselves without you. Go to sleep.
Geology says: it will be all right. Slow inch
by inch America is giving itself
to the ocean. Go to sleep. Let darkness
lap at your sides. Give darkness an inch.
You aren't alone. All of the continents used to be
one body. You aren't alone. Go to sleep.
Astronomy says: the sun will rise tomorrow,
Zoology says: on rainbow-fish and lithe gazelle,
Psychology says: but first it has to be night, so
Biology says: the body-clocks are stopped all over town
and
History says: here are the blankets, layer on layer, down and down.
All right. Now you.
I will post some poems, in no particular order, because I like them. And then you can post some in the comments! Or on your own journals. It will be awesome. Everyone loves poetry, right?
Here we go!
The Icelandic Language
In this language, no industrial revolution;
no pasteurized milk; no oxygen, no telephone;
only sheep, fish, horses, water falling.
The middle class can hardly speak it.
In this language, no flush toilet; you stumble
through dark and rain with a handful of rags.
The door groans; the old smell comes
up from under the earth to meet you.
But this language believes in ghosts;
chairs rock by themselves under the lamp; horses
neigh inside an empty gully, nothing
at the bottom but moonlight and black rocks.
The woman with marble hands whispers
this language to you in your sleep; faces
come to the window and sing rhymes; old ladies
wind long hair, hum, tat, fold jam inside pancakes.
In this language, you can't chit-chat
holding a highball in your hand, can't
even be polite. Once the sentence starts its course,
all your grief and failure come clear at last.
Old inflections move from case to case,
gender to gender, softening consonants, darkening
vowels, till they sound like the sea moving
icebergs back and forth in its mouth.
Against Entropy
The worm drives helically through the wood
And does not know the dust left in the bore
Once made the table integral and good;
And suddenly the crystal hits the floor.
Electrons find their paths in subtle ways,
A massless eddy in a trail of smoke;
The names of lovers, light of other days --
Perhaps you will not miss them. That's the joke.
The universe winds down. That's how it's made.
But memory is everything to lose;
Although some of the colors have to fade,
Do not believe you'll get the chance to choose.
Regret, by definition, comes too late;
Say what you mean. Bear witness. Iterate.
Marsh Languages
The dark soft languages are being silenced:
Mothertongue Mothertongue Mothertongue
falling one by one back into the moon.
Language of marshes,
language of the roots of rushes tangled
together in the ooze,
marrow cells twinning themselves
inside the warm core of the bone:
pathways of hidden light in the body fade and wink out.
The sibilants and gutturals,
the cave language, the half-light
forming at the back of the throat,
the mouth's damp velvet moulding
the lost syllable for "I" that did not mean separate,
all are becoming sounds no longer
heard because no longer spoken,
and everyone that could once be said in them has
ceased to exist.
The languages of the dying suns
are themselves dying,
but even the word for this has been forgotten.
The mouth against skin, vivid and fading,
can no longer speak both cherishing and farewell.
It is now only a mouth, only skin.
There is no more longing.
Translation was never possible.
Instead there was always only
conquest, the influx
of the language of hard nouns,
the language of metal,
the language of either/or,
the one language that has eaten all the others.
Song
You're wondering if I'm lonely:
OK then, yes, I'm lonely
as a plane rides lonely and level
on its radio beam, aiming
across the Rockies
for the blue-strung aisles
of an airfield on the ocean.
You want to ask, am I lonely?
Well, of course, lonely
as a woman driving across country
day after day, leaving behind
mile after mile
little towns she might have stopped
and lived and died in, lonely
If I'm lonely
it must be the loneliness
of waking first, of breathing
dawn's first cold breath on the city
of being the one awake
in a house wrapped in sleep
If I'm lonely
it's with the rowboat ice-fast on the shore
in the last red light of the year
that knows what it is, that knows it's neither
ice nor mud nor winter light
but wood, with a gift for burning.
Dialogue
She sits with one hand poised against her head, the
other turning an old ring to the light
for hours our talk has beaten
like rain against the screens
a sense of August and heat-lighting
I get up, go to make tea, come back
we look at each other
then she says (and this is what I live through
over and over) — she says: I do not know
if sex is an illusion
I do not know
who I was when I did those things
or who I said I was
or whether I willed to feel
what I had read about
or who in fact was there with me
or whether I knew, even then
that there was doubt
about these things —
The Sacred by Stephen Dunn
After the teacher asked if anyone had
a sacred place
and the students fidgeted and shrank
in their chairs, the most serious of them all
said it was his car,
being in it alone, his tape deck playing
things he’d chosen, and others knew the truth
had been spoken
and began speaking about their rooms,
their hiding places, but the car kept coming up,
the car in motion,
music filling it, and sometimes one other person
who understood the bright altar of the dashboard
and how far away
a car could take him from the need
to speak, or to answer, the key
in having a key
and putting it in, and going.
The Fish
The first fish
I ever caught
would not lie down
quiet in the pail
but flailed and sucked
at the burning
amazement of the air
and died
in the slow pouring off
of rainbows. Later
I opened his body and separated
the flesh from the bones
and ate him. Now the sea
is in me: I am the fish, the fish
glitters in me; we are
risen, tangled together, certain to fall
back to the sea. Out of pain,
and pain, and more pain
we feed this feverish plot, we are nourished
by the mystery.
The Sciences Sing a Lullaby
Physics says: go to sleep. Of course
you're tired. Every atom in you
has been dancing the shimmy in silver shoes
nonstop from mitosis to now.
Quit tapping your feet. They'll dance
inside themselves without you. Go to sleep.
Geology says: it will be all right. Slow inch
by inch America is giving itself
to the ocean. Go to sleep. Let darkness
lap at your sides. Give darkness an inch.
You aren't alone. All of the continents used to be
one body. You aren't alone. Go to sleep.
Astronomy says: the sun will rise tomorrow,
Zoology says: on rainbow-fish and lithe gazelle,
Psychology says: but first it has to be night, so
Biology says: the body-clocks are stopped all over town
and
History says: here are the blankets, layer on layer, down and down.
All right. Now you.